Attributes needed by the modern designer.The book is divided into the following sections and chapters: Among one’s acquaintances, it is common for every advice giver to lend different suggestions, and almost all proposals will at least partly overlap with some others. Even after all this time, there is little more that I yearn for than a good career coach, someone who I could call in specific moments confidentially. As far as my own experience is concerned-and including my internships-I have been working more or less continuously since 1999. Many designers approach these subjects with dread, especially if they are not aware of all the different factors they should consider. A change in working status-e.g., moving from a design studio into freelance employment-can be fraught with complications. For a well-selling design book, it is fortunately bereft of images only a few photos-featuring work from the designers interviewed in the final chapter-are included at the back of the book.Īt any stage of a career, finding new employment is difficult.
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Shaughnessy’s How to be a graphic designer without losing your soul is a mixture of both genres. Are you looking for work and/or career advice?īrowsing in the design section of a bookstore, one is likely to find a number of advice books, like the Graphic Artists Guild Handbook: Pricing & Ethical Guidelines or The Elements of Typographic Style, as well as books primarily intended to impress or inspire readers, such as I Wonder and Touch Me There. Shaughnessy got me thinking more than I had expected. During two of those days, I was in bed with a cold. London in 2005, I decided to read the book right away. Although I had never read the first edition, published by Laurence King Publishing Ltd.
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About a month ago, I received a free review copy. Princeton Architectural Press recently published an expanded, second edition of Adrian Shaughnessy’s How to be a graphic designer without losing your soul.
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